Friday, September 14, 2007

Books I have to finish by January

Bernard, Sheila Curran. Documentary Storytelling for Video and Filmmakers.
Boston: Focal Press, 2004.

Bousé, Derek. Wildlife Films. Philadelphia: U of Pennsylvania Press, 2000.

Burt, Jonathan. Animals in Film. London: Reaktion Books, 2002.

Chris, Cynthia. Watching Wildlife. Minneapolis: U of Minnesota Press, 2006.

Cronon, William. Uncommon Ground: Rethinking the Human Place in Nature. N.Y.: W. W. Norton and Co., 1996.

Cunningham, Megan. The Art Of The Documentary: Ten Conversations With Leading Directors, Cinematographers, Editors And Producers, Berkeley, CA: New Riders, 2005.

Daston, Lorraine and Gregg Mitman. Thinking with Animals: New Perspectives on Anthropomorphism. New York: Columbia University Press, 2005.

Ellis, Jack C. and McLane, Betsy A, A New History of Documentary Film. New York:
Continuum Press, 2005.

Evernden, Neil. The Social Creation of Nature. Baltimore: Johns Hopkins University Press, 1992.

Haraway, Donna. Primate Visions: Gender, Race, and Nature in the World of Modern Science. New York and London: Routledge, 1989. ISBN 0-415-90294-0.

Hess, David J.. Science Studies: An Advanced Introduction. New York and London: New York UP, 1997. ISBN 0-8147-3564-9.

Hockings, Paul, ed. Principles of Visual Antrhopology. New York: Mouton de Guyter, 1995.

Jones, Caroline A. and Peter Galison. Picturing Science, Producing Art. New York and London: Routledge, 1998. ISBN 0-415-91912-6.

Kuhn, Thomas. The Structure of Scientific Revolutions. Third Ed. Chicago and London: U of Chicago P, 1996. ISBN 0-226-45808-3.

Latour, Bruno and Steve Woolgar. Laboratory Life: The Construction of Scientific Facts. Princeton: Princeton UP, 1986. ISBN 0-691-02832-X.

Lippit, Akira Mizuta. Electric Animal: Toward a Rhetoric of Wildlife. Minneapolis and London: U of Minnesota P, 2000. ISBN 0-8166-3485-8

Marx, Leo. The Machine in the Garden: Technology and the Pastoral Ideal in America. London: Oxford UP, 1964. ISBN 0-19-500738-7.

Merchant, Carolyn. Reinventing Eden: The Fate of Nature in Western Culture. New York: Routledge, 2003.

Mitman, Gregg. Reel Nature. Cambridge, MA: University of Harvard Press, 1999.

Nichols, Bill. Representing Reality. Bloomington: U of Indiana Press, 1991.
Rabiger, Michael. Directing the Documentary. 5th Ed. Boston: Focal Press, 2005.

Renov, Michael, ed. Theorizing Documentary. New York: Routledge, 1993.

Rony, Fatimah Tobing. The Third Eye: Race, Cinema, and Ethnographic Spectacle, Durham, NC: Duke University Press, 1996.

Rosenthal, Alan. Writing, Directing, and Producing Documentary Films and Videos. Third Ed. Carbondale: Southern Illinois University Press, 2002.

Sagan, Carl. The Demon-Haunted World: Science as a Candle in the Dark. New York: Ballantine, 1996.

Schivelbusch, Wolfgang. The Railway Journey: The Industrialization of Time and Space in the 19th Century. Berkeley and Los Angeles: U of California P, 1986. ISBN 0-520-05929-8.

Simon, Deke and Wiese, Michael. Film & Video Budgets. 3rd Ed. Los Angeles: Michael Wiese Productions, 2001.

Snow, C.P. The Two Cultures. Cambridge: Cambridge UP, 1998. ISBN 0-521-45730-0.

Tobias, Michael, ed. The Search for Reality: The Art of Documentary Filmmaking.
Los Angeles: Michael Wiese Productions, 1997.
Worth, Sol., and Adair, John.Through Navaho Eyes: An Exploration in Film Communication and Anthropology. 2nd. Ed. Albuquerque: Univ. of New Mexico, Press, 1997

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